被称为“多米诺”的结构体系是何人提出的？（）A、Ludwig Mies van der RoheB、Le CorbusierC、Hugo Alvar Henik AaltoD、Frank Lloyd Wright

题目

被称为“多米诺”的结构体系是何人提出的？（）

A、Ludwig Mies van der Rohe
B、Le Corbusier
C、Hugo Alvar Henik Aalto
D、Frank Lloyd Wright

相似考题

1.Which of the following can be inferred from Paragraph 3 about Bauhaus?A．It was founded by Ludwig Mies van der Rohe.B．Its designing concept was affected by World War II.C．Most American architects used to be associated with it.D．It had a great influence upon American architectrue.

2.Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared. Mies held that elegance of architectural design____A.was related to large space B.was identified with emptiness C.was not reliant on abundant decoration D.was not associated with efficiency

3.Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared. The postwar American housing style largely reflected the Americans_____A.prosperity and growth B.efficiency and practicality C.restraint and confidence D.pride and faithfulness

4.不直接参与维系蛋白质高级结构的化学键是 A.离子键 B.肽键 C.疏水键 D. Van der Waals力

更多“被称为“多米诺”的结构体系是何人提出的？（）A、Ludwig Mies van der RoheB、Le CorbusierC、Hugo Alvar Henik AaltoD、Frank Lloyd Wright”相关问题

第1题：

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.
Which of the following can be inferred from Paragraph 3 about the Bauhaus?

A.It was founded by Ludwig Mies van der Rohe.
B.Its designing concept was affected by World War II.
C.Most American architects used to be associated with it.
D.It had a great influence upon American architecture.

答案：D
解析：
推理题【命题思路】这是一道封闭式推理题，需要对文章第三段的信息进行锁定，从而推理判断得出答案。【直击答案】根据题干信息“Bauhaus”定位到第三段。该段最后一句“These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.”可知These designers，即Ludwig Mies van der Rohe以及other people associated with the Bauhaus，对美国建筑有很大影响，故D项正确。【干扰排除】第三段第二句中who引导的定语从句只是说Ludwing Mies van der Rohe和Bauhaus有关联而非创建者，故排除A项。与Bauhaus有关联的Ludwig Mies van der Rohe是在二战前移民美国的，但文中并未提及它的设计理念受二战影响，故B项不选。原文中只提到Bauhaus与其他人有关联，但并未说明这些人大部分是美国人，因此C项属于过度推理。
第2题：

下列建筑师与其倡导的空间组织特征的对应关系中，哪一项是正确的？( )

A.奥斯卡·纽曼(Oscar Nowman)——流动空间
B.芦原义信(Ashihara Yoshinobu) ——个人防卫空间
C.约翰·波特曼(John Portman) ——共享空间
D.密斯·凡·德·罗(Mies van der Rohe) ——积极空间与消极空间

答案：C
解析：
奥斯卡·纽曼——个人防卫空间；芦原义信——积极空间与消极空间；密斯·凡·德·罗——流动空间。
第3题：

A.勒·柯布西耶(Le Corbusier)路易斯·康(Louis Isadore Kahn)、路易斯·康(Louis Isadore Kahn)、路易斯·康(Louis Isadore Kahn)
B.密斯·凡·德·罗(Mies Van Der Rohe)、勒·柯布西耶(Le Corbusier)、路易斯·康(Louis Isadore Kahn)
C.勒·柯布西耶(Le Corbusier)、勒·柯布西耶(Le Corbusier)、勒·柯布西耶(Le Corbusier)
D.密斯·凡·德·罗(Mies Van Der Rohe)、格罗皮乌斯(Walter Gropius)、勒·柯布西耶(Le Corbusier)

答案：C
解析：
图中三个建筑分别是勒·柯布西耶设计的萨伏依别墅(1930年)、巴黎瑞士学生宿舍(1932年)、昌迪加尔行政中心(1957年)议会大厦。
第4题：

“当技术实现了它的真正使命，它就升华为艺术”，这句话出自哪位建筑师？( )

A.赖特(Frank Lloyd Wright)
B.W·格罗皮乌斯(Walter Gropius)
C.密斯·凡·德·罗(Mies Van der Rohe)
D.勒·柯布西耶(Le Corbusier)

答案：C
解析：
现代主义建筑大师密斯·凡·德·罗在第二次世界大战后继续发展他认为的结构技术就是一切的观点，他在伊利诺伊工学院的讲话中，论述了这句关于技术与艺术关系的话。
第5题：

1923年出版的《走向新建筑》的作者是（）
- A、Ludwig Mies van der Rohe
- B、Le Corbusier
- C、Walter Adolph Georg Gropius
- D、Frank Lloyd Wright
正确答案:B
第6题：

“我喜欢抓住一个想法，戏弄之，直至最后成为一个诗意的环境”这句话出自哪位建筑师？（）
- A、Ludwig Mies van der Rohe
- B、Le Corbusier
- C、Walter Adolph Georg Gropius
- D、Frank Lloyd Wright
正确答案:D
第7题：

“当技术实现了它真正的使命，它就升华为艺术。”这句话出自哪位建筑师？（）
- A、Ludwig Mies van der Rohe
- B、Le Corbusier
- C、WalterGropius
- D、Frank Lloyd Wright
正确答案:A
第8题：

单选题
“建筑应该是自然的，要成为自然的一部分”这句话出自哪位建筑师？（）
A
Ludwig Mies van der Rohe
B
Le Corbusier
C
Walter Adolph Georg Gropius
D
Frank Lloyd Wright

正确答案： D
解析：暂无解析
第9题：

单选题
1923年出版的《走向新建筑》的作者是（）
A
Ludwig Mies van der Rohe
B
Le Corbusier
C
Walter Adolph Georg Gropius
D
Frank Lloyd Wright

正确答案： A
解析：暂无解析
第10题：

单选题
“当技术实现了它真正的使命，它就升华为艺术。”这句话出自哪位建筑师？（）
A
Ludwig Mies van der Rohe
B
Le Corbusier
C
WalterGropius
D
Frank Lloyd Wright

正确答案： B
解析：暂无解析
第11题：

单选题
“我喜欢抓住一个想法，戏弄之，直至最后成为一个诗意的环境”这句话出自哪位建筑师？（）
A
Ludwig Mies van der Rohe
B
Le Corbusier
C
Walter Adolph Georg Gropius
D
Frank Lloyd Wright

正确答案： B
解析：暂无解析
第12题：

单选题
_____
A
Frank muss während des ganzen Jahres hart arbeiten und hat deswegen immer keine Freizeit.
B
Im Winter bleibt Frank nicht immer zu Hause.
C
Die Mitglieder der Gemeindeversammlung findet Frank zuverlässig (值得信赖的).
D
Bei der Gemeindeversammlung möchte Frank sehr gerne mitmachen.

正确答案： D
解析：
根据第四段首句“Nur im Winter hat Frank etwas mehr Zeit.”可知，Frank并非一整年都没有空闲时间，故A项错误。
第13题：

被称为“多米诺”的结构体系是由何人提出的？( )

A.诺曼·福斯特
B.奈尔维
C.勒·柯布西耶
D.巴克明斯特·富勒

答案：C
解析：
多米诺结构(Dom-Ino Frame)是一种柱板(暗梁)承重体系，柯布西耶在1914年首先明确提出了这一概念。这种三维立体的形态是对现代技术和材料下的新形式语言的总结和对钢筋混凝土结构形成的空间形态的高度概括。它构成了迄今为止被于建筑设计中最广泛运用的基本单元。
第14题：

A.勒·柯布西耶(Le Corbusier)、路易斯·康(Louis Isadore Kahn)、路易斯·康(Louis Isadore Kahn)、路易斯·康(Louis Isadore Kahn)
B.密斯·凡·德·罗(Mies Van Der Rohe)、勒·柯布西耶(Le Corbusier)、路易斯·康(Louis Isadore Kahn)
C.勒·柯布西耶(Le Corbusier)、勒·柯布西耶(Le Corbusier)、勒·柯布西耶(Le Corbusier)
D.密斯·凡·德·罗(Mies Van Der Rohe)、W.格罗皮乌斯(Walter Gropius)、勒·柯布西耶(Le Corbusier)

答案：C
解析：
《外国近现代建筑史》，图中三个建筑分别是：①勒·柯布西耶设计的萨伏依别墅(1930年)；②马赛公寓(1947～1952年)；③昌迪加尔行政中心(1957年)议会大厦。
第15题：

A.赖特(Frank Lloyd Wright)设计的落水别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的图根德哈特住宅
B.赖特(Frank Lloyd Wright)设计的落水别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的巴塞罗那博览会德国馆
C.勒·柯布西耶(Le Corbusier)设计的萨伏伊别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的巴塞罗那博览会德国馆
D.勒·柯布西耶(Le Corbusier)设计的萨伏伊别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的图根德哈特住宅

答案：D
解析：
题中左图是勒·柯布西耶设计的萨伏伊别墅，右图是密斯·凡·德·罗设计的图根德哈特住宅。
第16题：

“住宅是居住的机器”是哪位建筑师说的？( )

A.密斯·凡·德·罗(Mies Van der Rohe)
B.赖特(F.L.Wright)
C.勒·柯布西耶(Le Corbusier)
D.沙利文(L.H.Sullivan)

答案：C
解析：
勒·柯布西耶在《走向新建筑》中给住宅下了一个新的定义，他说：“住房是居住的机器。如果从我们头脑中清除所有关于房屋的固有概念，而用批判的、客观的观点来观察问题，我们就会得到‘房屋机器——大规模生产的房屋’的概念。”
第17题：

“住宅是居住的机器”是哪位建筑师说的？（）
- A、Mies van der Rohe
- B、Le Corbusier
- C、Walter Gropius
- D、Frank Lloyd Wright
正确答案:B
第18题：

“建筑应该是自然的，要成为自然的一部分”这句话出自哪位建筑师？（）
- A、Ludwig Mies van der Rohe
- B、Le Corbusier
- C、Walter Adolph Georg Gropius
- D、Frank Lloyd Wright
正确答案:D
第19题：

范德华力（van der Waals force）

正确答案:中性原子之间通过瞬间静电相互作用产生的一种弱的分子之间的力。当两个原子之间的距离为它们的范德华半径之和时，范德华引力最强。强的范德华排斥作用可以防止原子相互靠近。
第20题：

单选题
Es geht in dem Text hauptsächlich darum, _____
A
wie das Alltagsleben von Frank aussieht.
B
was Frank in der Freizeit macht.
C
warum Frank nicht gerne in der Stadt lebt.
D
was Heimat für Frank bedeutet.

正确答案： B
解析：
主旨题。全文主要围绕Frank对家乡的看法和感情展开，故D项正确。
第21题：

单选题
被称为“多米诺”的结构体系是何人提出的？（）
A
Ludwig Mies van der Rohe
B
Le Corbusier
C
Hugo Alvar Henik Aalto
D
Frank Lloyd Wright

正确答案： C
解析：暂无解析
第22题：

单选题
“住宅是居住的机器”是哪位建筑师说的？（）
A
Mies van der Rohe
B
Le Corbusier
C
Walter Gropius
D
Frank Lloyd Wright

正确答案： B
解析：暂无解析
第23题：

名词解释题
范德华力（van der Waals force）

正确答案：中性原子之间通过瞬间静电相互作用产生的一种弱的分子之间的力。当两个原子之间的距离为它们的范德华半径之和时，范德华引力最强。强的范德华排斥作用可以防止原子相互靠近。
解析：暂无解析

被称为“多米诺”的结构体系是何人提出的？（）A、Ludwig Mies van der RoheB、Le CorbusierC、Hugo Alvar Henik AaltoD、Frank Lloyd Wright

题目

相似考题

更多“被称为“多米诺”的结构体系是何人提出的？（）A、Ludwig Mies van der RoheB、Le CorbusierC、Hugo Alvar Henik AaltoD、Frank Lloyd Wright”相关问题

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