更多“According to the art dealer, the painting () to go for at least twenty thousand pounds. A、is expectedB、expectsC、expectedD、is expecting”相关问题
  • 第1题:

    As ________, he did not show up at the party.

    A、was expected

    B、would be expected

    C、had been expected

    D、expected


    参考答案:C

  • 第2题:

    A) would expect

    B) expects

    C) expect

    D) expected


    正确答案:A
    答案:A
    [试题分析]虚拟语气的用法。
    [详细解答]本句为虚拟语气,谓语动词应用would expect表示,故答案为A。

  • 第3题:

    34. We________ at school at about four twenty-five in the afternoon.

    A. watch TV

    B. play games

    C. go home

    D. have class


    正确答案:B
    34.B【解析】根据第二段第五、六句可得知,

  • 第4题:

    The passage is mainly about__________

    A.an art museum called the Louvre

    B.an Italian artist named Leonardo da Vinci

    C.a king of France named Francis I

    D.the best—known painting in the Louvre


    正确答案:A
    概括全文可知,本文主要介绍了法国的卢浮宫。其他都是文章的节细,而非主旨。

  • 第5题:

    Questions 64-66 refer to the following article.
    NEW YORK, November 19-New York's Women in Business Association announced that Anita Huntington, vice president of marketing for Kuiper Hotels, and Mary Foster, general manager of Longwood Hotels & Resorts, were recently selected as this year's Venture Award recipients. The Venture Award was established twenty years ago to recognize the contributions made by female executives to their communities. This year’s cowinner’s are the founders of Art on the Move, a charitable organization that provides art scholarships for students throughout the city.
    Since joining Kuiper Hotels, Huntington has held key positions in finance and business
    development. Currently, she leads Kuiper’s marketing operations, often traveling to one of the more than 270 hotels in 16 countries. Foster’s position has also taken her all over the world.
    Both executives stressed that finding time for volunteer work was extremely important even though they often work long hours at their jobs. Huntington and Foster will be honored on November 26 at a special reception at Humphrey Hall.

    According to the article, how can people become candidates for the Venture Award?


    A. By becoming leaders in the hotel industry.
    B. By starting their own business.
    C. By working to make their communities.
    D. By working in New York for at least twenty years.

    答案:C
    解析:
    文中提到为社区做贡献的人获得Venture Award。

  • 第6题:

    Although he is in financial difficulties, he is ()to accept my offer of the loan of twenty thousand dollars.

    A.reliable
    B.regular
    C.reluctant
    D.religious

    答案:C
    解析:
    虽然他经济有困难,他还是不愿意接受我借给他的两万块。

  • 第7题:

    Text 4 Shortly after The Economist went to press,about 25,000 people were expected to rurn up at the London Art Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well they might be."I can eam a year's living in one fair,"said one harried dealer while stringing up a set oflights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the capitaL Roughly 90 will take place worldwide:The success of larger events such as Frieze,which started in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Art14,which started last year,specialises in less well-known intemational galleries,showing art from Sub-Saharan Africa,South Korea and Hong Kong.One explanation for the boom is the overall growth of the modern-art market.Four fifihs of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m(£422m),easily breaking the previous record.As older art becomes harder to buy-much ofit is locked up in museums-demand for recent works is rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I started 23 years ago I had not a single non-Western foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy arl differently.They ofien spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suitable.Commercial galleries used to rely on regular visits from rich Britons seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to events and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties that spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bemard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him ofwhen his father,a chemist,was eclipsed by Boots,a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevelopment;five more may follow later this year.Yet the rise ofthe fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an intemational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond the city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the sizc of his store."It's a little like fishing:'he explains."You move to where the pike is."
    According to the art dealers,after______,it will make their incomes increase.

    A.art movement in some groups
    B.setting modem paintings and sculptures
    C.holding an expo
    D.reporting an art fair through The Economist

    答案:C
    解析:
    事实细节题。根据定位词定位到文章的第一段,通读后发现该段落是在说博览会,在结尾处指明“I can earn a year's living in one fair,”said one harried dealerWhile stringing up a set oflights.(一位忙碌的经销商边安装灯具边说道:“一次博览会便能让我挣足一年的生活所需。”)由此可得知,开博览会可以让经销商的收入上涨,故C项为正确选项。【干扰排除】A项在段落中没有体现,因此排除,B项和D项虽然在段落中有体现,但只是在说明博览会的信息,不能说明可以增加收入。

  • 第8题:

    单选题
    A

    They created a distinctive Canadian art inspired by Canada itself.

    B

    They produced a style of painting that was crude and barbaric.

    C

    They deserve more attention than they have received.

    D

    They influenced new trends in Canadian literature and music.


    正确答案: B
    解析:
    录音中教授提到“... a generation of artists set out to create a school of painting that would record the Canadian scene and reinforce a distinctive Canadian identity; Their 1920 exhibition was an important moment in Canadian art. It proclaimed that Canadian art must be inspired by Canada itself”,所以他认为七人画派是受加拿大本土影响的一种独特的加拿大艺术,故选择A项。

  • 第9题:

    问答题
    Do you often go to art galleries?  

    正确答案: I don’t. To be frank I like art very much .Whereas there aren’t so many good art galleries in the region where I live. And I am busy with my work so I went to art exhibitions several times a year.
    解析:
    考生可回答自己都去什么地方的艺术画廊,多久去一次,去画廊自己的感受如何等。

  • 第10题:

    单选题
    A

    A list of influential painters.

    B

    A history of an art movement.

    C

    A comparison of schools of art.

    D

    A description of a painting.


    正确答案: A
    解析:
    教授讲座中涉及加拿大艺术的起源以及发展,所以说他主要描述了一个艺术运动的历史,故选择B项。
    【听力原文】
      The painter Arthur Lismer wrote, “Most creative people, whether in painting, writing or music, began to have a guilty feeling that Canada was as yet unwritten, unpainted, unsung.” According to Lismer, there was a job to be done, and so a generation of artists set out to create a school of painting that would record the Canadian scene and reinforce a distinctive Canadian identity. Calling themselves the Group of Seven, they proclaimed that—quote, “Art must grow and flower in the land before the country will be a real home for its people.”
      The Group’s origins date back to the 1911 showing in Toronto of the painting “At the Edge of the Maple Wood” by A.Y. Jackson of Montreal. This painting’s vibrant color and texture made a deep impression on local artists. They persuaded Jackson to come to Toronto and share a studio with them. Jackson began to accompany another painter, Tom Thomson, on sketching trips to Algonquin Park, north of the city.
      A patron gave the artists the famous Studio Building in Toronto. It was here that Thomson did some of his finest paintings from sketches made in the wild. Among them was “The Jack Pine,” one of the nation’s best-loved pictures. But then, suddenly and tragically, Thomson died in 1917 drowning in a canoe accident—shocking his fellow painters and Canadian art lovers.
      After a 1919 trip to the wilderness, the artists decided to organize an exhibition and to formally call themselves the Group of Seven. The seven founding artists were Jackson, Lismer, Harris, MacDonald, Varley, Johnston, and Carmichael.
      Their 1920 exhibition was an important moment in Canadian art. It proclaimed that Canadian art must be inspired by Canada itself. However, the initial response was less than favorable. Several major art critics ignored the show, while others called the paintings crude and barbaric. Yet, when British critics praised the Group’s distinctly Canadian vision, the Canadian public took another look. Later exhibitions drew increasing acceptance for the Group’s work, establishing them as the “national school.” Before long, they were the most influential painters in the country, and several of their paintings have become icons of Canada.
      A.Y. Jackson was influential for his analysis of light and shadow. Arthur Lismer’s work has an intensity all its own-particularly his painting of the “Canadian Jungle,” the violently colored forest in the fall. Lawren Harris went further than the rest in simplifying the forms of nature into sculptural shapes, organizing an entire scene into a single, unified image, and eventually into abstraction.
    Questions 53 to 55 are based on the passage you have just heard.
    53. What is the professor’s point of view concerning the Group of Seven?
    54. What can be concluded about the Group of Seven’s style of painting?
    55. Which of the following best describes the organization of the lecture?

  • 第11题:

    单选题
    Each hose used for transferring vapors must().
    A

    have a design burst pressure of at least 25 psig

    B

    be capable of withstanding at least 2.0 psi vacuum without collapsing or constricting

    C

    be electrically continuous with a maximum resistance of ten thousand ohms

    D

    All of the above


    正确答案: A
    解析: 暂无解析

  • 第12题:

    问答题
    Abstract Expressionism  Abstract expressionism was the name for an artistic movement that emerged in the USA during the 1950s. It was also known as the New York School since most of the important artists lived there, at least for a time. During World War II many influential artists had fled the fighting and persecution of Europe and ended up in New York. The Abstract Expressionist group were made up of artists who had either come from Europe or who were directly influenced by the styles and techniques of those who had.  Abstract Expressionism is a term used for art that uses elements of Expressionism in an abstract way. They were also influenced by Surrealism. Expressionist artists used symbols and particular styles of painting to express feelings or emotions. Surrealists tried to express the subconscious by using through the actual process of painting. The physical property of paint (what it was like) was what was important. The style and the subject (what the painting was of) had lost all significance.  The recognition of the Abstract Expressionists by the art world meant that for the first time the USA became known as an important force in avant-garde art. The term avant-garde is often used in art, and is used to describe anything radically new or different. The Abstract Expressionists fitted this description perfectly. For the first time it was the physical act of painting that was important rather than the end product.  The New York School was not, in the strictest sense, an artistic movement. The Abstract Expressionists included artists who had each developed their own individual styles. But there were enough similarities in the way they thought about and approached painting that gradually the group became known as the Abstract Expressionists.  Jackson Pollock, Willem de Kooning, Helen Frankenthaler, Lee Krasner and Franz Kline all became recognized for a technique called action painting. This was where spontaneous physical movement and gestures were used to produce paintings. The term action painting was originally used by the art critic Harold Rosenberg. He was referring to Jackson Pollock, who became famous for his drip paintings. Pollock used a revolutionary new technique, which involved dripping, pouring or squirting the paint from syringes directly onto the canvases. We now use the term action painting in a wider sense to refer to any technique of making a painting with energetic and spontaneous application of paint.  Other artists who also fall under the title of Abstract Expressionists include Mark Rothko, Barnett Newman and Clyfford Still. These artists invented a softer, calmer technique where paint is applied with brushes in large areas, or fields, of color covers the whole picture surface. This technique became known as color field painting.  Both the action and color field painters shared methods and ideals. Paint is applied in bold, simple brushstrokes, dribbles or splashes, with blocks of color to make the maximum visual impact. The huge physical size of the paintings matched the artists’ grand philosophical ideas.  Abstract Expressionists all shared a philosophy about painting. Paintings were a search for truth, or the hidden meaning of life. The artists tried to find a way of painting that did not have to follow any particular style or school ofart. This way people would not associate the painting with anything else. They would just look at it as a painting and form their own ideas of what it meant.

    正确答案: 【参考译文】
    抽象表现主义 抽象表现主义是20世纪50年代开始在美国兴起的,又称为“纽约画派”。在二战期间,许多富有影响力的欧洲艺术家,为了躲避连绵的战事和迫害,迁至纽约定居。这些人后来成为抽象表现主义的奠基人,而那些没有欧洲渊源的艺术家,其艺术风格和绘画技巧也受到他们的直接影响。
    从表现技巧上说,抽象表现主义既是表现主义绘画元素的抽象运用,又受到超现实主义的影响。表现主义运用各种象征符号或是特殊的绘画风格来表现画家的情感和感受。超现实主义强调潜意识,运用扭曲的线条和富有象征意义的形象来表现作品。而抽象表现主义重视的是实际的绘画过程,它关注的是画作本身,而不是绘画的风格和描绘的对象。
    抽象表现主义使得美国首次成为国际公认的前卫艺术中心。在艺术领域中,“前卫艺术”这一术语代表了标新立异,用它来形容抽象表现主义真是再合适不过了。绘画过程本身则被艺术家重视起来。真正的艺术不是作品本身而是它们在人们大脑中的意义。正是这种不断解读从而延长了作品生命。
    从严格意义上讲,纽约画派并不是一项艺术运动,它是一群自成风格的艺术家的总称。抽象表现主义画家们很少形成固定的营垒,但是由于其观念相近,对作品的表现手法也存在着极大的共同之处。
    就表现技巧而言,“行动画派”强调即席创作,以直觉的行动和姿态来做画。杰克逊·波洛克(Jackson Pollock)、威廉·德·库宁(Willem de Kooning)、海伦·弗兰肯萨勒(Helen Frankenthaler)、李·克拉斯(Lee Krasner)和弗朗兹·克莱因(Franz Kline)都属于此派。“行动画派”的称谓最早是艺术评论家罗伯特·科茨(Robert Coates)在评论波洛克的作品时提出的。波洛克以其“滴画”技术而闻名。这一技法的革新性在于它抛弃了传统的作画方式,运用滴、泼或是水枪喷洒的方式直接在画布上作画。现在,“行动画派”被赋予了更为广泛的内容,泛指所有富有生命力和即兴的创作技巧。
    “色域画派”是抽象表现主义的另一重要分支。其代表人物是巴尼特·纽曼(Barnett Newman)、马克·罗思科(Mark Rothko)和克里福德·斯蒂尔(Clyfford Still)。其方法是先画出鲜明清晰的线条轮廓再着色成画,作品讲究色域间强烈的色调对比,精细安排的色调差异,追求光滑完整、不显手法笔触痕迹的画面效果。有时甚至可以说是一种颜色直接加入到另一色域之中。
    “行动画派”和“色域画派”的画家有着类似的创作技巧和创作理念。他们尽情挥洒着大胆、粗犷的线条,滴、溅、喷、洒,运用大面积的色块来营造最强烈的视觉效果。与此同时,巨幅的画面也表现了这些画家的艺术主张。他们认为绘画是为了寻求“真”,或者说不为人知的生命的意义。画家们竭力寻求一种独特的创作技巧,无需跟随于任何固有的风格或流派。这样人们就可以不受干扰、全神贯注地欣赏画作,体会作品本身给他们带来的感受,进而形成自己对作品的理解。
    解析: 暂无解析

  • 第13题:

    In the years after the Civil War most American painters received their training in Europe, the majority studying in the French schools at Paris or Barbizon, and a smaller number in Germany at Munich(慕尼黑) and Dusseldorf(杜塞尔多夫). The teaching of the Barbizon school, which stressed the use of color and the creation of an impression or a mood, influenced many American artists. One group of American painters, led by James McNeill Whistler and John Singer Sargent, expatriated(移居国外) themselves from the American scene and settled in Europe. Whistler, who is often ranked as the greatest genius(天才) in the history of American art, was a versatile(多才多艺的) and industrious(勤奋的) artist who was equally proficient(熟练的) in several media-oil, watercolor, etching(铜版画)-and with several themes-portraits and his so-called "nocturnes(夜景画)", impressionistic sketches(印象画) of moonlight on water and other scenes. He was one of the first to appreciate the beauty of Japanese color prints and to introduce Oriental concepts into Western art.

    1. For a period after the Civil War, the majority of American painters ____.

    A、was influenced by the Barbizon school

    B、painted in the impressionist style

    C、studied art in Europe

    D、used striking color in their work

    2. According to the passage, one group of American painters ____.

    A、left America never to return

    B、turned their back on the American art tradition

    C、copied the style. of Whistler and Sargent

    D、were unaffected by the European style. of painting

    3. From the passage we are led to believe that Whistler ____.

    A、did much of his painting at night

    B、produced a large number of pictures

    C、combined several media and themes in his paintings

    D、was most proficient in impressionistic sketches

    4. According to the passage, Whistler was one of the first Western painters to ____.

    A、use Japanese ideas in his own work

    B、become interested in Japanese printing

    C、admire Japanese oil paintings

    D、start producing Japanese sketches

    5. The main theme of this passage is ____.

    A、Whistler's influence on Western art

    B、The influence of European art on American painters

    C、The influence of Oriental art on Whistler

    D、The American painters' influence in Europe


    参考答案:1-5:CABAB


  • 第14题:

    如何把阿拉伯小写数字(包括小数)1234123.23 转化成英文:one million, two hundred and

    thirty-four thousand, one hundred and twenty-three point two three


    正确答案:
     

  • 第15题:

    According to the passage, Pat didn't ______.

    A. want to be like his uncle in every way

    B. try to make the sounds of a bird singing

    C. like to go to school

    D. go to school across the forest


    正确答案:C
    本题属细节题。文章第一段第二句中的“he and the school did not like each other”表明:Pat与
    他的学校彼此都不喜欢。

  • 第16题:

    Each hose used for transferring vapors must ______.

    A.have a design burst pressure of at least 25 psig

    B.be capable of withstanding at least 2.0 psi vacuum without collapsing or constricting

    C.be electrically continuous with a maximum resistance of ten thousand ohms

    D.All of the above


    正确答案:D

  • 第17题:

    NEW YORK.November19一New York’s Women in Business Association announced that
    Anita Huntington,vice president of marketing for Kuiper Hotels,and Mary Foster,general managerof Longwood Hotels&Resorts.were recently selected as this year’s Venture Award recipients。TheVenture Award Was established twenty years ago to recognize the contributions made by female executives to their communities.This year’s cowinners are the founders of Art on the Move.a charitable organization that provides art scholarships for students throughout the city.
    Since joining Kuiper Hotels,Huntington has heldkey positionsinfinanceandbusiness development·Currently,she leads Kuiper’s marketing operations,often traveling to one of the morethan 270 hotels in l6 countries.Foster’s position has also taken her all over the word.
    Both executives stressed that finding time for volunteer work was extremely important even though theyou tenwork long hoursat their jobs.HuntingtonandFoster willbe honoredon November 26 at a special reception at Humphrey Hall.
    According to the article,how can people become candidates for the Venture Award?

    A.By becoming leaders in the hotel industry
    B.By starting their own businesses
    C.By working to make their communities
    D.By working in New York for at least twenty years

    答案:C
    解析:
    根据“The Venture Award was established twenty years ago to recognize the contributions made bv female executives to their communities”可知,为他们社区作贡献的人可以获得“Venture Award”。

  • 第18题:

    Text 4 Shortly after The Economist went to press,about 25,000 people were expected to rurn up at the London Art Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well they might be."I can eam a year's living in one fair,"said one harried dealer while stringing up a set oflights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the capitaL Roughly 90 will take place worldwide:The success of larger events such as Frieze,which started in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Art14,which started last year,specialises in less well-known intemational galleries,showing art from Sub-Saharan Africa,South Korea and Hong Kong.One explanation for the boom is the overall growth of the modern-art market.Four fifihs of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m(£422m),easily breaking the previous record.As older art becomes harder to buy-much ofit is locked up in museums-demand for recent works is rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I started 23 years ago I had not a single non-Western foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy arl differently.They ofien spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suitable.Commercial galleries used to rely on regular visits from rich Britons seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to events and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties that spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bemard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him ofwhen his father,a chemist,was eclipsed by Boots,a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevelopment;five more may follow later this year.Yet the rise ofthe fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an intemational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond the city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the sizc of his store."It's a little like fishing:'he explains."You move to where the pike is."
    Which of the following is not true about art market according to Paragraphs 4 and 5?

    A.London's art market boosted favorite mainly from overseas.
    B.London's new rich often spend multiple times in the capital and do not know it.
    C.commercial galleries used to depend on regular from wealthy people.
    D.people in recent years visit galleries for events and parties.

    答案:B
    解析:
    事实细节题。题目只是说明对应的段落在第四段和第五段,解决此题目的关键在于通读段落之后找到四个选项在文章中的位置,题目中出现了否定词not.所以在做题的时候是必须注意的,在第四段中And London's new rich buy art differently.They often spend little time in the capital and do not know it well.(伦敦新富在购买艺术品的品位上有所不同。他们在成本方面所花费的时间较少,对此也就了解甚少。)B项则说明花费了较多的时间,意思刚好相反,故B项为正确选项。【干扰排除】剩余的三个选项在这两个段落中都有提及,故不选。

  • 第19题:

    “The house () go to the daughter, not the son, according to the will of the father.” declared the judge.

    • A、may
    • B、should
    • C、must
    • D、shall

    正确答案:D

  • 第20题:

    单选题
    If you ______ go, at least wait until the rain stops.
    A

    can

    B

    may

    C

    must

    D

    will


    正确答案: C
    解析:
    本题考查情态动词的用法。句意:如果你必须去的话,至少等到雨停了。句子后半句at least“至少”表示让不,所以前面表示“必须”,根据题意答案为C。

  • 第21题:

    单选题
    What is called science or art, according to the author?
    A

    the deficit answers of some of man’s questions

    B

    Man’s thoughts

    C

    all of man’s questions

    D

    the meaning of reality


    正确答案: A
    解析:
    由第四段第二句“Where the answer is clear, we call it science or art and move on to higher ground and a new vista of the world.”可知答案清楚地,我们就称之为科学或艺术。故选A。

  • 第22题:

    单选题
    —“Will you go home tomorrow evening?”—“No, I am going to a lecture, or at least, I am planning _____.”
    A

    on

    B

    to

    C

    so

    D

    it


    正确答案: C
    解析:
    句意:“你明晚回家吗?”“不回,我要去听一个讲座;至少我正打算去。”本题考查省略句的用法。将本句补充完整为:I am planning to go to a lecture.其中go to a lecture可以省略。

  • 第23题:

    单选题
    According to the talk, for what is the Glasgow School of Art famous?
    A

    Its educational faculty.

    B

    Its collection of art works.

    C

    Its architectural design.

    D

    Its museums and art galleries.


    正确答案: D
    解析:
    推理判断题。关于Glasgow School of Art(格拉斯哥艺学院)以什么而闻名遐迩,录音第一句“格拉斯哥是一个研究建筑的好地方”便奠定了主题。接下来的支持性细节提到了Glasgow School of Art,指出该学校是闻名的建筑艺术学校,其设计出于名家之手。由此可推测,选项C(其建筑设计)与录音原文相符。
    【录音原文】
    Glasgow is certainly a good place to study architecture. The Glasgow School of Art is famous and everywhere there are magnificent buildings like the School of Art itself, which was designed by Charles Rennie Mackintosh.